” STOWIES , a partial history of Walthamstow “

An archival digital print, 40 x 40cm, with and accompanying explanatory booklet, £75.

Available in other sizes on request.

The accompanying booklet details each of the bits of the picture and explains them it a little detail. It has its own scratch and sniff card included. It also has a dust jacket that when unfolded reveals a copy of the the picture, all be it in very poor quality.

This picture will be on display in The Mill, 7 – 11 Coppermill Lane, E17 7HA, June 2nd till the 8th of August, which covers the duration of the E17 Arts Trail, No 20 on the map, and there will be a “meet the artists” event on the afternoon of the 6th. A larger version of the print, 80cm square, will be in Winns Gallery, Lloyd Park, No 54 on the art trail map, from the 6th to the 14th of June, 11 – 5, with a “meet the artists” event on the 5th, 6 till 8.

THE STORY…

This was a tortuous print to produce, not because of the print itself but the surrounding circumstances. I lost computers, hard drives, data and friends. I was in and out of hospital, and surrounded by doubt, I had got to the point when I thought it would never happen. But here it is.

Originally this started out as submission to an exhibition in the Pictorem Gallery, organised and curated by David Sullivan , under the title “Cover”. The idea being to create a work in the style of another artist. Although initially I had dismissed the offer, after all he had written to me saying, “I didn’t realise you were still alive”, but I had an epiphany, not to clump him the I next saw him, but to make something, time was short and lots was happening, but I had an idea.

I was going to do a montage of Walthamstow based on the Peter Blake Beatles album cover, “Sargent Pepper”. I managed to get a good way into it when I lost my hard drive in a puff of smoke. The voltage regulators failed, allowing the whole thing to burn out. Predictably I only had half of it backed up, and being pressed for time and unable to complete it I submitted something else instead.

But the project stuck in my head and I plodded on, through what was a very difficult year. I rebuild the artwork, carried on researching, made field trips to do brass rubbings and take photos, consult archives, delve into the world wide web, read lots of books, I even had to grow my own marijuana and knotweed . All good fun. But what I anticipated being a few images tagged together with an A4 sheet for an index turned into a 32 page booklet with cover, and a fold out fly-cover / dust-jacket, to cover the 115 entries.

It must be said, it is a very personal history, it will not be the same as your history and different again to your neighbours, what was important to me, or caught my eye, will not necessarily have caught yours. But Walthamstow is my home I’ve lived here for 50 years, known the place a lot longer, and I am very attached to it, these are my memories.

At some point I will redesign the booklet, it is very poorly laid out, and possibly make a good quality dust jacket. But that is for the future.

ROOM 8

I’ve just completed an entry for the 2026 Royal Academy Summer Show. A tortuous process, which is getting easier over time, it has to if they want to take the 18,000 entries at £40 a time ( yes that’s £720,000 ) and select up to 4000, in the first round of judging, then they are whittled down further to around the 1000 that will go on show. If you are an academicians, ie you have RA after your name, you can exhibit work automatically, well it is their club.

Now I will have to wait till the 18th of March to see if my work has got passed stage 1. It is called “room 8”, and features room 8 of the 2024 summer show, which as it happened held a work by Anna Alcock that year. Called “The Bathers” it was a reworking of Cézanne’s “The Bathers”, an historically significant painting that Cézanne worked on for 7 years and was still left unfinished at his death. Its influence on Picasso can be seen in his “Les Demoiselles d’Avignon”.

the bathers

In Anna’s hands “The Bathers” is reimagined and inspiring , “Les Grandes Baigneuses” have moved to the Hampstead Ponds, and become a celebration of womanhood, a festival of the feminine, in Anna’s image of women they are interacting at peace, supporting each other.

Anna, Isabella, and Joshua all appear in my picture because it was taken on an “exhibitors day”, when we all went see the exhibition, and Annas work hanging there. A grand day out, exploring the bars and backrooms of the refurbished building. The picture was first assembled later in the year, fully coming together the following year, before being lost when my hard drive fried. I managed to recover it, at some cost, and thought I would submit it as I wanted to see Anna in the RA again. I had missed the 2025 exhibition deadline when the places had all sold out, so here we go for 2026.

Fingers crossed all around.

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